What is great about this project is the pushing of an accepted form, stretching its potential playing with self imposed rules of what is right.
In its way this is a realisation of what sketchbooks are for, taking an accepted immovable concept of what 'is' and pushing it and playing with it to come up with a variety of different solutions and realities.
"The American Windsor offered . . . vintage status and typological range. Next came the sleight of hand, or the ability to have the ordinary do something extraordinary through anamorphosis, forced perspective, or near-symmetry." Norman Kelly